Download i am ghost discography

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The title track is a slow-paced, dreamy song with soft percussion and hazy sounds, perhaps comparable to the More-era Pink Floyd around , or The Doors at their softest. One member of the group plays flute, sax and theremin. Saxophone isn't much heard throughout this album, but flute increases the folk touch in several songs. Here the drums are more muscular, and the vocals are more intense; think of Jim Morrison telling a story although the chorus gets repeated quite a lot.

I just love this stuff! Another association is Tim Buckley at his calmest. After a mediocre song the final track, slow and calm 'Mind Hill', ends the album beautifully, with piano in the lead role. Oh my, this album really was a happy discovery for me! Warmly recommended to everyone enjoying hazy, folky psychedelic rock and acoustically oriented artists such as Anthony Phillips. Review by Mellotron Storm Prog Reviewer.

Interesting because the majority of it is sparse and ambient bringing to mind Miles Davis but instead of trumpet it's the sax that is crying out on and off throughout Part 1. Part 2 is similar but we get a rhythm and also an Eastern vibe. Piano joins in later and it turns more intense as well. Vocals follow as the backing vocals continue.

Part 4 is less than a minute of an intense drum-led piece. It's like being stoned on a sunny day walking in a field. The vocals and sound are so uplifting. Love this song! Check out the guitar 2 minutes in and how good does this sound before 4 minutes with the mellotron, vocals, guitar and drums. The vocals are spoken. There's a bit of Celtic vibe here with the tin flute. It kicks into gear a minute in with strummed guitar, organ, drum and more. It settles right down as the flute returns and vocals arrive, piano too.

It kicks in again as contrasts continue. Love the aggressive guitar after 3 minutes as well as the mellotron a minute after that. Love the sound here. The flute plays over top as they seem to just jam away. So good! The flute stops after 5 minutes changing the flavour here.

Then the tempo picks up before 8 minutes. Reserved vocals join in then it turns more powerful. I like this one a lot, especially when that opening theme is repeated each time. Mellotron late. Vocals join in before a minute and it's either the flute or vocals leading the way but not both.

Check out the mellotron late to end it as the flute and vocals have both stopped. This is such a hazy tune and the vocals are relaxed like the song. Kind of cool actually. Deep pulsating sounds join in before 5 minutes followed by heavy drums as it continues to build. Great tune! This was my favourite album to listen to last week, it just fills that psychedelic area of my brain otherwise known as the black hole. Fvourite songs include the opening suite along with "Hazy Paradise" and "Feed". It begins as a gentle folk ballad with acoustic guitar, bells, and piano - but around the three minute mark, it very slowly builds layers of instruments, slowly gets louder, and slowly adds dissonance over the course of several instrumental minutes, before returning to the quiet beginning.

The final track, "Summer's Ashen Fable", concludes the album with a gentle piano-led folk melody, quietly bringing things to a close. Although there is a good variety of sounds on this album, as well as a good mix of loud and quiet numbers, once you've heard the first minute or so of any track, you're not going to be surprised by the rest of it.

Despite the occasional aggressive moments, this is more of a meditative album than anything else. But in that capacity, this is one of the more seductive and emotional albums I've come across in recent years. Masaki Batoh is a visionary musician seemingly transported from another age, and he has led Ghost to a near-masterpiece here.

Falls short of five stars only because a few of the songs sound a little too similar to other songs on the album, but this is still one to check out if you love acoustic psychedelia or Eastern folk music. Using the ambiance of the temple as almost its own instrument, the band takes advantage of the natural feel of the room with reverberating acoustic guitars, impassioned vocals, lots of flutes, what sounds like a bowed bass, occasional piano, and hand percussion.

This is the music you might expect to overhear if you were passing by a Buddhist temple. This is Spirit Music; it's the real thing. For the most part, the songs themselves aren't particularly stunning, but the mood they create cannot be denied.

My absolute favorite is "Moungod Asleep", a very simple number with a repeating piano figure absent in the original version on the debut album and a simple folk melody that imparts a deep sense of spiritual longing.

Things occasionally get pretty chaotic, as on the track "Blood Red River", in which free-form banging on pianos, percussion including real drums this time gone awry, and shrieking vocals create a disturbing atmosphere. But for the most part, the album is meditative, mellow, and melancholy. GHOST always reminds me the Japanese religious history, that we must believe and take care of the dead spirits.

For the dead some of Japanese everyday read OKYO a religious sutra and believe that the dead spirits in another world should always support us now living here.

Now we should be knocked out by the spiritual sleeve and image. Please listen, and feel About 5 minutes later, a shamisen Japanese banjo , wabue Japanese flute and bells can make thier sounds heavier and deeper. In such a eccentric music, weird percussive sounds should be alive.

Gradually our palpitation with the atmosphere should be greater and greater. Even electric guitars or keyboards, as everyone thinks as typical instruments for rock music, can be noise shooters or storytellers of GHOST. I consider totally this long track can't be called as a song but can be defined as an illusion. There are lots of Japanese instruments as above mentioned, in that especially wabue and various percussions should make this track serious and seraphic.

And a piano coming here after 17 minutes can push this sounds toward an upper stage. Electric sounds should NOT be self-assertive or in front of all instruments. Here they should be only noises with adding some solemn flavour. In the middle part avantgarde and sharply noisy explosion can fly and blow over our head. Streaming and Download help. Report this album or account. Beautiful Ghosts by Unreqvited. Romantic blackgaze. Heavy in an emotional sense. If you like Ghost Bath, you may also like:.

Best extreme metal album from the last three or four years. It's unrelentingly intense while allowing room to breathe. Heavy as an anvil on your ballsack, but never sacrificing melody. This music goes somewhere - no static riffing. Buy it in a physical format. The artwork is truly beautiful. Coma Wall E. Presence E. The new EP from atmospheric black metal masters Mesarthim finds them more triumphant and symphonic than ever.

Bandcamp Daily your guide to the world of Bandcamp. No matching results. Explore music. Get fresh music recommendations delivered to your inbox every Friday. Self Loather by Ghost Bath. Piper Haqim. Piper Haqim This album shows the band picking up their pace and really working on sharpening their style.

A very welcome addition to their discography! Favorite track: Shrines of Bone. Cuttahotha Already blown away. Favorite track: Hide from the Sun feat.

Bradley Shockey. Bradley Shockey This is the fastest I've ever pre-ordered an album. What an absolute treat. One of my favorite bands of all time.